The experience of the artist Hany Mandour is one of the experiences that expresses two important concepts, and takes us towards a cornerstone in dealing with similar experiences. On the one hand, it is considered one of the experiences aimed at preserving the originality of the art of ceramics and passing it on to the future, in order to ensure that it is not lost and extinct. Amidst this chaos resulting from the fussing over the names and terminology of contemporary and modernity and what comes after it, on the other hand, we are presented with the problem of the succession of specialized and expert generations, and families of artistic quality. The product comes in the order of the generations of its technically and artistically specialized family in the world of ceramic vessels in the second generation, and it falls on its shoulders. That responsibility is to continue and pass on those genes to a third generation to come, to work according to that rigor and seriousness and to harmonize the contemporary and modern concepts of this authentic art, and it is one of the artistic experiences worthy of respect that works in solid silence without the fragile, contrived and fake noise.